micromania

Short and Micro Films

We have been extremely lucky with our contacts across the board and privy to a variety of amazing short/microfilms that have been either experimental or designed to augment actors’ showreels. Each that we have seen (both the public and password protected) had a common thread: they make you think.

Taking this further we have been discussing with the very talented, Alistair Smith, his own scene work as potentially a festival project. *We were lucky to be given access through a password-protected link, but can honestly say that he has got us thinking about micro/short projects as a tool to promote.

We are supporters of using short and microfilms as promotional tools and understand that the concepts can vary from a 30-second commercial to a 20-minute film, the key to this for us, is the story must work and make the watcher think. You should want to see more or ask questions about the backstory, this for us is successful.

Someone else who appreciates this idea is the team behind Micromania Film Festival, focused specifically on films under 5 minutes, there is a real challenge to the process of filmmaking in general but the potential of a film of 5 minutes or less is to us, something we want to explore in more depth as a combination of marketing tool and experimental process with films that will challenge us a team.

We are going to be reviewing options and looking at scripts that will give us that room to experiment, showcase the talents of both those in front and behind the cameras with the added element of documentary footage, and potentially showreel material for certain members of the team.

Stay tuned for updates.

A New Year A New Plan

new year new plan

In many respects, 2020 has been a lost year for a lot of people with the world changing dramatically. For us, it has opened up doors to a whole host of new potential avenues and given us a chance to reevaluate what we have been doing and look at how we can fit ourselves into the market long-term. To do this we have broken our work into key areas that will be public and those which will be kept private to the inhouse team.

In the public sense, we have two key areas we will be focusing on in the first quarter of the year:

Editorial and print: we have been putting this on the backburner in some respect taking time to look at locations, edit work already shot, slowly build up a series of images and work that will be released over the early part of 2021 with additional planned small shoots that will be a combination of artistic and commercial. *This will include product placement in behind the scenes imaging and video with brands such as Lord and Berry, Mykitco, and Brushwork Cosmetics to start. We are open to new potential brand partners for projects contact the team to discuss.

Film and TV: something that we have been doing since the start of Lost Creatives is supporting a range of festivals including Micromania and The Nepal Cultural and Film Centers' own festival. We do have plans to partner with a European festival and will reveal details on that soon.

Our initial goal is to work on 3 projects that will be shorts, designed specifically to go to festivals and as an opening gambit for our planned digital TV shoots in the horror/thriller market (for Which we have already spoken to several distributors and have options in place including the HOD TV route which is our number 1 choice).

In the coming months, our projects will be smaller in nature to help push forward and test the waters of the market and expand out. Our ties to South Asia (Including Nepal Film Production and our key actor contacts in India), will play a heavy part in our work as we are questioning how we will be able to work in Scotland and the UK in general.

Each of the current websites: JamesC mua. Lost Project and of course Lost Creatives will be receiving overhauls and updated images across the galleries, and the welcome pages, additional sites are being planned for our film/TV work to keep the Creatives solely about marketing and the background elements we have built.

Further updates will be released over the course of the month. We are really excited about our plans for 2021 and look forward to pushing the boundaries of our work.

Internet TV and The Future of The Lost Creatives

Internet TV and The Future of The Lost Creatives

We have been making calls again today to discuss a range of different business matters with our partners at Nepal Film Production, one of the subjects that got covered extensively was the future plans of The Lost Team. Naturally, we have talked in detail about the editorials for marketing and the video plans but it was the option of Internet TV that really captured the focus of our energy and where we are looking at for the future of our company. There has been a lot of research done into this and we feel that for us, TV (series based concepts) is the best route for us to go and we have been looking at keeping it genre-based. Obviously, Horror and Thriller are the two primary categories we are really looking at as we feel this is without question where we can make the most impact hence our teaming with HOD TV as a partner.

The biggest advantage we see in focusing our talents, efforts, and energies in this area is really about more than just sales avenues but how people are now viewing content ranging from streaming to TV in your home or directly to a tablet/smartphone you use on the move. In our research (and more than a little experience of traveling for business), we found that train and bus journeys, in particular, could be tedious and worked out a time frame along with our writers, that would suit this: taking a 40 to 45-minute journey to work you can potentially view a full TV series over the course of a working week of 5 days, it’s possible to watch a 25-minute episode at each end of the journey to and from work will not only kill time but gives you the space to find a seat, get settled and have the program ready to roll.

For ourselves, this is a method we feel works best and there will be extended features and standalone projects over time but our primary concern is to be TV projects.

If your are interested in learning more about HOD TV as a consumer click here or if you have a film/TV project you would like to sell check the HOD TV link on our partner’s page.

The Micromania Catalogue is Live

While many have put their careers on temporary hold and are now focusing on marketing or planning for a new slate of projects, the team behind the Micromania Film Festival have taken steps to support indie film and have opened up their back catalog of work (all films under 5 minutes) through their Vimeo channel, giving talent a new home and a chance to be seen. Which is a huge plus and opens the door to new and exciting names in the industry. A technical route that is often overlooked there is something incredible about the short that film should be appreciated and valued, a story can be as simple as a single image and Micromania is a shining example of showcasing talent, giving a voice and a platform to films under 5 minutes and talent off the charts.

The Micromania Catalogue is Live

The doors are open for 2020 and submissions can be made through Filmfreeway allowing you to open new doors and get your films seen.

Building a story and creating a cohesive look in a small format can be a big challenge that does not get the same reverence in the global scheme so its important to support not just the films but the talent behind and The Lost Creatives are fully behind the Micromania Film Festival.

To learn more about the Micromania Film Festival or to submit your project see:

Micromania Film Festival Website.

Micromania Film Festival Film Freeway.

Micromania Film Festival Facebook.

Micromania Film Festival Twitter.

Micromania Film Festival Instagram.